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A New Beginning

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The back wall of my man cave is not prepped and ready for battle.

Right now, there are 50 cards with 50 stories to find and write. They are stories about promoter Louisville wrestling Heywood Allen; wrestling venues like the Columbia Gym and the outdoor Sports Arena; big names like Lou Thesz, Orville Brown, and June Byars; and local names like Stu Gibson, Mel Meiners, Kid Scotty Williams, and Blacksmith Pedigo.

The goal: to tell the full story of Heywood Allen and the Allen Athletic Club, Louisville’s wrestling source from 1935-1957.

I’ll be posting updates and stories here as the book progresses. Meantime, you can get a glimpse of the story – and the rest of Louisville’s wrestling history – with my first book, Bluegrass Brawlers.

Very excited to tell the story of Louisville’s forgotten wrestling promotion.

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OVW HD – A new Indiegogo Campaign!

The first time I saw Ryan Howe was the night after Wrestlemania XXVII. He was the first of the new round of Tough Enough contestants to introduce himself to a Raw crowd that chanted for Stone Cold Steve Austin to “Stun them all!”

I saw him again almost two years later at OVW, the night I started work on Bluegrass Brawlers. He didn’t wrestle that night, but I saw him a few times over the next couple of years. He had a great look, and he showed potential, but he was always in the mid-card, working underneath guys like Rob Terry and Jamin Olivencia. He was better each time I saw him, but he was always outshined by the main event players.

Wednesday night, I saw him again. He worked the main event against OVW champion Mohamed Ali Vaez. This was a completely different Ryan Howe than I had ever seen before. Same look, same gimmick, but there was a confidence and a swagger about him I hadn’t seen before. Howe looked like he belonged in that main event. He looked ready for the next step. If history is any indication at OVW, he’ll probably get it sooner rather than later.

That’s the legacy of OVW. OVW has set the standard for wrestling schools for nearly 20 years. Cena, Orton, Lesnar, Batista, Punk, Ziggler, Cody Rhodes, Miz, Mizdow, Henry, Big Show, Beth Phoenix, Mickie James, Dinsmore, Conway, Shelton Benjamin, John Morrison, Lisa Marie Varon, Jamin Olivencia, Rockstar Spud. Over 100 students have gone on from OVW to work for WWE or TNA.

OVW just launched an Indiegogo campaign to upgrade their television equipment. OVW is the longest running wrestling television program in America outside of WWE (over 800 episodes!), and they’re ready to step it up and go HD. This campaign will allow them to upgrade their studio, their cameras, and their editing equipment so they can continue to produce a top quality program while providing the best training for the business, from inside the ring to the editing room.

OVW television airs locally in Louisville, but it’s also available to view online. OVW alums have shared with me how fans have come up to them in airports and venues around the country, fans who know them only from watching online. Most recently, OVW announcer Dean Hill told me he was approached by a fan in Seattle, Washington who watched OVW on TV!

Independent wrestling is growing in popularity once more, and OVW is positioning itself to take advantage of the changing tides. Check out the campaign on Indiegogo and the perks that are available – including and opportunity to train at the school. And by all means go to www.ovwrestling.com to check out their show for yourself!

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February 18, 1947: Heywood Allen Says Goodbye

1941 thesz allen1941 thesz allen1941 thesz allenSixty-eight years ago this week, Heywood Allen promoted his last show in Louisville, Kentucky.

On February 9, 1947, The Courier-Journal reported that Allen had sold his interest in the Allen Athletic Club to co-owner Francis A. McDonough, Jr., and a farewell show was scheduled for February 18.

A crowd of 5000 people packed the Armory for Allen’s last show. World champion Bill Longson was on hand, defeating Felix Miquet (whose brother Francois would become famous as Corsica Joe) in two out of three falls. Babe Sharkey and Ed Meske won victories over Miguel Torres and Ralph Garibaldi, respectively, and Mickey Gold drew with Joe Millich.

Governor Simeon S. Willis received an invitation for the special event, along with a group of men referred to in the paper as the “Ole Gang of Allen’s.” The gang included McDonough, Charley Schullman, George Lewis, Paul Neal, Pat Murphy, Clarence Brenzel, Kid Scotty Williams, Ray McDonough, and Billy Love. Other regional promoters and NWA dignitaries also came to pay tribute to Allen.

McDonough sent word out to the community hoping to find Allen’s oldest living fan. The honor went to a man named Robert T. Brown, who recalled one of Allen’s first matches as a bout between William Demetral and Jack Stone during Demetral’s first trip to town in 1912.

Allen worked matches in Louisville for 42 years. He bore witness to the birth of Ed “Strangler” Lewis, held court over the first golden age with Stecker, Caddock, and Zbyszko, weathered two world wars, the National Wrestling Association, the birth of the National Wrestling Alliance, and the rise of perhaps the greatest champ of all, Lou Thesz. The fire Allen ignited in Louisville sports fans would far outlive his career and his life, and the fruits of his labor can be seen today.

Read more about Heywood Allen and Louisville’s wrestling history in Bluegrass Brawlers.

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Louisville’s Greatest Matches: Nova vs. John Cena

Crybaby Chris Alexander told me about this match when I was working on Bluegrass Brawlers. I honestly am not sure why this story did not make it into the book, other than I simply forgot about it.

Cena was “The Prototype,” an unstoppable monster heel who had run over every challenger in OVW. Nova was the new guy, a veteran of ECW looking for a new start with OVW and the WWE. His first night at OVW, he got a shot at the champion.

Alexander was backstage that. Danny Davis walked over to him, wearing a big smile. “Hey Chris,” he said, “Do you want to know how to put a new guy over in one night? Just watch.”

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“The Black Panther” Jim Mitchell

The Black Panther Jim MitchellOne of the wrestlers I discovered while researching Bluegrass Brawlers was a man named Jim Mitchell. Born in Louisville, Kentucky, Mitchell was one of the early African American pioneers in professional wrestling. He wasn’t the first; that distinction goes to a former slave named Viro Small, who became a star wrestling in New York back in 1874. But Mitchell was one of the first African Americans in the modern era to break the color barrier, wrestling against white opponents for major promotions.

Early in his career, Mitchell wore a hood to the ring. He called himself “The Black Panther,” and he did battle with other non-white wrestlers. He was in good company, frequently doing battle with fellow African American stars Seelie Samara and Gentleman Jack Claybourne.

Mitchell was an athletic and gifted wrestler who proved he could be a draw. After a successful European tour and stops all around the US and Canada, he ended up in Los Angeles and became a regular at the Olympic Auditorium. Mitchell soon found the confidence to lose the mask and even wrestle under his real name.

In the late 1940s the LA promoters took a chance and put Mitchell in the ring against white opponents. Mitchell had to work these matches as a babyface for fear of what might happen outside the ring if he were a heel. It was still a risk, but Mitchell’s battles with white opponents proved to be a hit, opening the doors for others to follow.

His most famous battle took place in 1949 against one of pro wrestling’s greatest heels, Gorgeous George. After George tossed Mitchell from the ring, an angry fan rushed into the ring to take a swing at George. George dispatched the fan quickly, but when he did, the fans rose up and rushed the ring. George and Mitchell slipped through a hidden tunnel to the locker room while a riot, divided largely along racial lines, raged inside the Olympic.

Mitchell and George would meet many times in the coming years. Their in-ring rivalry was fierce, but in the locker room, there was no real rivalry. What’s more, the racism that divided the cities where Mitchell wrestled was non-existent in the pro wrestling locker room. The wrestlers, black and white, were bonded together by the sport they loved and a common adversary: the promoters who paid them. A 1954 account of an appearance Mitchell made in his hometown of Louisville describes a scene where white wrestlers rose to embrace and shake hands with the returning hero.

Mitchell worked a little as a referee in his later years in the business, and he also traveled with future Hall of Famer Bobo Brazil. After retiring from the ring, Mitchell opened a store in the Toledo area called Black Panther Carryout. The walls of the store featured photos and memorabilia from Mitchell’s career, and locals would come in to talk wrestling in addition to shopping. He passed away in 1996 at the age of 87.

Mitchell is an unsung pioneer in the history of pro wrestling. He deserves to be in the Pro Wrestling Hall of Fame as well as the Kentucky Athletic Hall of Fame.

Jim’s story is told in part in Louisville’s Greatest Show. I’m continuing my research on Jim Mitchells, and my hope is that I can eventually tell his full story. I’m looking for photos, programs, videos, stories, anything I can get my hands on. I’m also hoping to find some folks with first or second hand stories about the man, whether they come from relatives or the relatives of other wrestlers who worked with him.

If you’ve stumbled on this page and you have information about The Black Panther Jim Mitchell, please contact me at johncosper@yahoo.com. I would love to hear from you!

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Update on LA Fights

Nigel McGuinness has eleven days to go.

He has 66K in pledges. He’s over 300K short.

Kickstarters have been funded with more money in far less time.

If you haven’t read up on LA fights, go to Nigel’s Kickstarter now and check it out. This is your chance to do more than complain about the current state of wrestling. This is your chance to DO SOMETHING.

LA Fights by Nigel McGuinness on Kickstarter