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The Saga of the 1941 Derby Eve Show

Derby Eve belonged to the wrestlers. At least it did in the beginning. The first Derby Eve wrestling show at the Armory (now Louisville Gardens) took place more than a hundred years ago. It became a huge attraction for local fans and out-of-towners in for the Derby. Naturally, the success of the event caught the attention of other promoters, and by the 1930s, the Kentucky Athletic Commission made it an annual bidding war between the wrestling promotions and the boxing promotions.

Heywood Allen had fought for the Derby Eve slot many times. He’d won some and lost some, and in 1941, he was sure he had a winner. The Derby Eve show was supposed to go to the promoter who presented the best card, and Allen’s main event was Everett Marshall versus Lou Thesz.

Of course as you’ve probably guessed, he didn’t get it. Mattingly granted the show to novice boxing promoter named Harry Wolffe. Allen was furious. He went around Mattingly to schedule the Armory for Thursday and Friday, May 1 and 2, offering to let the boxers run the show on the 2nd if he could run his wrestling show on the 1st. He nearly got his way, too, but then on April 15, he got on the microphone at the weekly Allen Club wrestling show and cut a promo on Mattingly. The newspapers didn’t record what Allen said, but it was bad enough that Mattingly revoked Allen’s license to promote.

Allen had shot himself in the foot, and after relinquishing the Armory on May 1-2, he was given his license back. Allen would run shows on Tuesday April 29 and a “Derby Dessert” show on Tuesday May 6, both at his home base in the Columbia Gym.

As for Harry Wolff and the boxing show… well, let’s just say he would have been better letting Allen have his way. He only had a week to sell tickets, and sales were so low, he didn’t even make half of the money he had guaranteed to the boxers! Wolff had tried to back out of the show a few days before, but Mattingly pushed him to go ahead. What’s worse, Mattingly assured boxing managers on Friday afternoon, May 2, that Wolff would pay their full guarantees regardless of the box office.

Harry Wolff was in trouble. He told the boxers he couldn’t pay them what he’d promised and they’d have to take a cut or else. The managers said they’d take or else… as in legal action, if he didn’t pay up!

Allen only drew 2000 fans when he brought Thesz and Marshall in on May 22, but it was just a bump in the road for him. He’d continue on as Louisville’s wrestling impresario for another six years, while Mattingly would eventually leave the commissioner’s office and leave Allen alone.

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Mud Slingin’ in Louisville

The_Courier_Journal_Wed__Dec_15__1937_Wrestling promotions are always slinging mud. Here in Southern Indiana there are a half dozen promotions running at any given time, and not a day goes by some fan, wrestler, or promoter doesn’t pitch a little mud on Facebook. In December of 1937, the feud between the Allen Athletic Club and the Kentucky Athletic Club turned to actual mud slinging when the two hosted a series of mud matches.

The Kentucky Athletic Club hurled the first clod of mud when they announced a match between local favorite Blacksmith Pedigo and mud wrestling expert Prince Omar of Persia. The K.A.C. ran shows downtown at the Savoy Theater, and the match held on December 2 was a smash. A standing room only crowd of 1563 packed the Theater to see the local favorite defeat his Persian foe.

Fans of the Allen Athletic Club begged promoter Heywood Allen to put on a mud match of his own. Allen, who was the booker for the K.A.C. when it was still known as the Savoy Club, was reluctant to get into the mud with his former boss, but on December 7 at the Columbia Gym, Allen cut a promo against the K.A.C. and his former and future ally Blacksmith Pedigo when he announced a mud match for the following week between Shinuchi Shikima and Nanjo Singh. Never one to be outdone, Allen told his fans that the Allen Club mud match would be completely encased in cellophane so that no one in the crowd would get muddy.

Allen did a lot of things right in his career, and it wasn’t long after this that he was the only promoter in town, but the mud match proved to be a total nightmare. It took the ring crew 75 minutes to set up the ring. The mud was the easy part; it was the cellophane wrapper that proved to be a nuisance. The thin material would no cooperate and kept falling and tearing. Allen paced the Gym floor, smoking cigarettes and fuming as he watched and waited for the main event he never wanted in the first place to get off the ground.

“You all wanted to see a real mud match, and here it is,” said Allen once all was set for the main event. “As far as I’m concerned, phooey on mud matches!”

The match itself proved to be just as much of a muddle as the set up. Referee Heywood Allen, Jr., lost his mud boots within the first minute of the bout and ended up barefoot along with the competitors. Singh got mud in his eyes early in the bout, and when the southern wall of cellophane collapsed, fans went scrambling for cover from the flying mud. It took only twenty minutes for a muddy Shikima to score two straight falls and claim victory.

Despite the technical problems, not a single fan left early. A solid crowd of 2386 stuck it out and stayed until 11:30 PM on a winter’s night to see how things would turn out.

Allen was done with mud wrestling, but the K.A.C. came back a week later with another mud bout on December 23 between Kentuckian Billy Love and another so-called mud wrestling impresario, Biriam Bey. Love won in two straight falls in what would turn out to be the final mud match in Louisville.

It was the Kentucky Athletic Commission who finally put an end to the mess. Commissioner Johnson S. Mattingly, who watched over both promotions like a hawk, announced at the December 23 Savoy show that he would no longer sanction mud matches in Kentucky. It was a brief and thrilling run for the fans, but in January of 1938 the wrestling promoters went back to slinging mud with words instead of slop.